Free PDF Ultimate Spider-Man Vol. 2: Learning Curve
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Ultimate Spider-Man Vol. 2: Learning Curve
Free PDF Ultimate Spider-Man Vol. 2: Learning Curve
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Product details
Series: Ultimate Spider-man (Book 2)
Paperback: 144 pages
Publisher: Marvel (September 1, 2002)
Language: English
ISBN-10: 9780785108207
ISBN-13: 978-0785108207
ASIN: 0785108203
Product Dimensions:
6.6 x 0.2 x 10.1 inches
Shipping Weight: 8.8 ounces
Average Customer Review:
4.4 out of 5 stars
69 customer reviews
Amazon Best Sellers Rank:
#111,417 in Books (See Top 100 in Books)
This volume collects Ultimate Spider-Man issues 8-13. In this volume we finally see Spider-Man clash with the criminal element of New York City properly. Spider-Man encounters Electro, the Enforcers and the Kingpin while still trying to juggle his life as a high schooler. Spider-Man also gets placed in a very compromising situation that could jeopardize his life as a crime fighting vigilante. Bendis handles this very well and very realistically, especially considering the subject matter and when you think about a city as vast and as populated as New York. This issue also contains more touching and heart felt moments between Peter and Aunt May. Peter also begins to pursue his relationship with Mary Jane more in this story arc, although it is very tumultuous as one would expect from a high school romance. This however leads to a very satisfying moment between Peter and Mary Jane in the final issue which is dedicated solely to the two of them. I did enjoy how Bendis ties in some of the things that Peter is learning in school to his crime fighting antics, his history class plays a key role in defeating the Kingpin in this story arc. But I really liked that application as it seems to be something that a smart young crime fighter would do. I also enjoyed the comedy spread throughout this book, it seems that Bendis is settling in more to his run on Spider-Man at this point. I didn’t really like the depiction of Electro in this story arc. He felt largely unnecessary, and he wasn’t as compelling as his mainstream 616 counterpart. Mark Bagley and Art Thibert are still doing well with the artwork, in fact it’s hard to think of Ultimate Spider-Man without this iconic look and feel to the artwork. Overall, this is a solid continuation of Bendis’s run.
- Shocker (as he takes out a police car during a chase): "Hey, I got one!! I got one!!"- Spidey (whilst kicking Shocker's mug in): "I got one, too! Awww, but mine's a big tool!"Having just re-read these two trades back to back, I thought I'd try for a two-fer, double dipping on both ULTIMATE SPIDER-MAN Vol. 19: DEATH OF A GOBLIN and Vol. 20: ULTIMATE SPIDER-MAN & HIS AMAZING FRIENDS. Firstly, I harbor mad friggin' love for this series. With his Ultimate Spidey stories, Brian Michael Bendis has managed to reinvent and reinvigorate the Spider-Man mythos, and shiny-domed dude has even managed to stick with the thing for over 130 issues now. Artist Mark Bagley also gets massive golf claps for his extensive run, and it's no lie that his take on Ultimate Spidey has become THE definitive rendering. Having said that, Stuart Immonen, not exactly a scrub himself, has been doing righteous things with the artwork. I dig that Immonen keeps Spidey looking like a kid in tights, instead of some over-muscly bloke all of a sudden.ULTIMATE SPIDER-MAN Vol. 19: DEATH OF A GOBLIN collects issues #112-117 and features the escape of Norman Osborn, a.k.a. the Green Goblin, from the Triskelion's maximum security compound and the resultant wigging out of Peter and Mary Jane. As Osborn goes about his machinations to take down Nick Fury (who, following the goings-on in the Ultimate Power mini-series, isn't around much anymore), interim S.H.I.E.L.D. director Carol Danvers tries to catch up with all the crazy going down. And, lest you forget that this is a certain teen wall-crawler's book, you best believe the Goblin's not forgotten Peter Parker.What I probably relish best in the Ultimate Universe is the sense of freshness it invokes. Not only do longtime Marvel characters get a do-over, but there seems to be more immediacy to the stuff that happens to them. And, importantly, while still steeped in outrageous fantasy, Ultimate Universe somehow feels closer to reality than the mainstream 616. Whenever an Ultimate character dies, it feels more permanent. All this leading to me saying that DEATH OF A GOBLIN is one of the best story arcs in this series.Bendis is very good with the superhero stuff, starting off with Spidey and the newly costumed Shadowcat early on taking out the Shocker in what feels like a throwaway sequence. The stakes quickly go up with Osborn's prison breakout because, as long time readers know, Osborn knows Spidey's civilian identity and evil dude's even flung Mary Jane off a bridge. With Pete ensuring that Aunt May and Mary Jane skedaddle the eff out of town, his bump of responsibility makes him stay on.Pete's taken on the Kingpin and Venom and sundry wacky clones, but let's face it, the Goblin has always been Spidey's traditional nemesis. Ultimate Goblin is immeasurably more powerful than Spidey, and more intelligent, and I like that Spidey always has to struggle like epic crapcakes just to eke out a win. Here, it's not even Pete who finally takes the Goblin down.Bendis's gift for funny and insightful dialogue is on display again. Ultimate Spidey, I think, is hands down funnier than 616 Spidey. Bendis balances the colossal fighty fights with very well done character moments, with the Midtown High sequences proving to be enthralling bits. Pete and Kitty are paired up with one of those baby doll monitoring assignments (and, as one panel reveals, Kitty still isn't quite over Pete's break-up with her). I'm also getting a kick out of the school dynamics with specifics to Kitty Pryde's identity being public knowledge. On the Triskelion side, Spidey and Carol Danvers trade in some hilarious banter, the funny mostly coming from Pete's end. Things climax tragically (all you have to do is peek at the title of this trade) and there's a coda which takes place in Pete's classroom, in a moment tinged with poignancy. A great story arc.ULTIMATE SPIDER-MAN Vol. 20: SPIDER-MAN & HIS AMAZING FRIENDS collects issues #118-122 as, in the wake of the traumatic events in DEATH OF A GOBLIN, Bendis takes it down a notch and focuses on the personal lives of Pete and his circle of pallies. A fun story arc.***SPOILER alert for this next paragraph***Midtown High is still mourning the passing of Harry Osborne. To get out of their funk, Pete and his friends decide to hang out at the beach, accompanied by Johnny Storm (Human Torch) and Bobby Drake (Iceman). Night falls on the beach and the kids are chillin' around a campfire, when, shockingly, dot dot dot...Old fogeys may get that the three-part "Spider-Man and His Amazing Friends" is a fond callback to the awesome 1980s cartoon show of the same title (ah, anyone remember Ms.Lion?). So it makes sense that this arc features Iceman (come to apologize to Kitty), as well as the debut of Ultimate Firestar. And, predictably, the manifestation of a new mutant gets a "Hruh?" not only from the X-Men but from Magneto. Bendis effectively serves up his decompression style of storytelling, as these three issues generate tons of cool dialogue, with Spidey and Iceman trying their best to talk down a frantic and frightened Firestar. Not much of a superhero throwdown in this one, which is okay, as I found the conversations among the cast so much more involving. Also, seriously, Peter just ain't competent with keeping his secret identity secret. Seriously.The last two issues in this trade are kinda one-offs. First, we learn how Pete and Kitty fare with their classroom project. It involves an arduous explanation from Peter (to his teacher, in front of the class) as to why their assigned fake baby doesn't exactly end up unscathed. However, when that farfetched explanation features Omega Red and the epic destruction of the Daily Bugle offices, well, someone's G.P.A. is bound to drop.Issue #122 starts off sunnily enough, as Peter video-records Mary Jane as she tries to conduct Man on the Street interviews but can't even say her name right. Things take a deadly serious turn when the Shocker, "the biggest loser in Loserville," surfaces and surprisingly beats holy heck out of and then kidnaps Spider-Man. Which goes to show, even the most ridiculed supervillain is still someone not to be effed with.As these issues demonstrate, there's more gravitas now to young Peter Parker. Wallcrawling guy has fought monumental battles and experienced wondrous things and has incured hurtful losses, but, thru all this, Brian Michael Bendis has been able to preserve the core of Peter Parker, keeping him on point while sustaining that lighthearted flavor. Nothing probably encapsulates this as much as this following bit:- Firestar: "You're an amazing friend. You ran to help me. I won't forget this."- Spidey: "Well, just remember that with great power there must also come great responsibility."- Firestar: "Now you sound like a tool."Hah! And you got her "amazing friend" reference, right?The Ultimate Universe was built on the success of this title, thanks to Bendis's ability to generate pathos and to put a fresh spin on age-old Spider-Man tropes. Ultimate Peter Parker, terrific in all his teenhood and in the infancy of his superhero career, is nowadays my favorite version of the web-spinner. Mark Bagley has put in serious work, as has Stuart Immonen. With Ultimate titles getting shut down left and right and characters getting killed off everywhere (thanks, ULTIMATUM) and with #133 projected as possibly the last Ultimate Spidey issue (#130 is currently what's on sale), I'm just trying to soak it all in, brother. All the while hoping that this doesn't put a moratorium on this little corner of Marvel. That would suck immensely.
I'd like to preface this review by saying that if you have read Volume 1, then you probably know everything I'm going to say, so I'll just say buy this, it's of the same kind and quality.I've known of Ultimate Spider-man's existence for quite some time, but have only recently gotten around to checking it out. If you don't know it's a contemporary reimagining of everyone's favorite wall-crawler, featuring Peter Parker as a teenager in high school, struggling with hormones, interpersonal encounters with peers (especially girls), and the occasional super villain bent on destroying New York.The contemporary retelling is, in my opinion, sublime. There are many cultural allusions, the dialogue is snappy and fun, and the storytelling is as good as any I've read in comic books (admittedly my experience is far from exhaustive).That said, the thing I love most about Ultimate Spider-man is that despite all the changes and updates, the spirit of what makes the web head such an awesome hero is maintained. You'll see that highlighted plain as day in this volume, especially towards the end of the last issue it contains. I generally don't review books, and I don't think I've ever reviewed a comic, but I felt compelled. This comic is amazing, and at the price it's definitely worth it whether you're a long time Spidey fanatic like myself or you are completely uninitiated to the world of comics. If it's the latter, you'd be hard-pressed to find many more accessible starting points. Give it a shot, it will not disappoint.
Though nothing will ever beat the original Stan Lee run of the first 100 or so issues of the Amazing Spider-Man, this is not a bad re-telling of the story of Peter Parker. There are some elements to the ultimate universe I do not like, but I thought the Ultimate Spider-Man run was pretty creative in making an old story seem new. I recommend.
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