Saturday, August 27, 2016

Download PDF Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix))

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Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix))


Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix))


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Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix))

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Here you will find everything you need to know in order to be successful and get your certification.Now, we know you may be skeptical, so let us give you three good reasons we can back up what we claim:The Three Reasons To Believe What We SayThe First Reason:Our company's name is Mometrix Test Preparation, and we have a team of standardized test researchers who have worked on developing our study guide for the Praxis II test. The standards for who gets to work on the team are very strict- we demand the best for our customers, and only those who met our exacting standards made the cut. The dedicated research staff have years of combined experience in mastering the content and skills necessary to succeed on the toughest exams.The Second Reason:Some academic studies have revealed that test takers do not really benefit from the traditional test preparation process. But we knew there had to be a solution- if test takers were not doing well on the Praxis II test despite high intelligence, there had to be a set of secret keys to the test that would open the door of success for these test takers.We believe we have succeeded in finding the secret keys of the exam. What we found was surprising, and in some cases ridiculously simple once explained to the average test taker.We put the findings together in a thorough, concise study guide that we believe allows any test taker, at any skill level, to improve his or her results dramatically with a minimum of effort.The Third Reason:We created the product in part because we were frustrated by the options available to test takers who really wanted to do well on the Praxis II test.A common approach is to TEACH the material, instead of TEACHING THE TEST. That's not necessarily good enough for the Praxis II test- you have to know how to apply the knowledge. Most test takers already have a general knowledge of the material that will be covered on the exam.One reason some test takers do well on the day of the test is that they have made the critical connection between the material they learned and how to use the material to succeed on the Praxis II test.Our guide addresses the difference between merely knowing the material and knowing how to use the material to perform on test day.You're going to save time, money, and aggravation. You'll learn to avoid the mistakes and the bad strategies that you've been vulnerable to. --Just for starters, here are some ways our product can help your score on the Praxis II test...The Exclusive Test Taking TechniquesExplains how the Praxis II test time limits are the #1 enemy of most test takers, and what you can do about it- You avoid falling into the many "time traps" built into the test, giving you an immeasurable advantage over those who go into the test unawareShows you super speed methods to get through the questions you know with ease- Saving you time so you concentrate on the hardest questions without rushingGet quick, customized help for the questions you have- just send us a quick email and we'll get back to you promptly with the answer.Keys to questions that "give away" the wrong (or right) answers- You get credit for some of the questions without really even knowing anything about themDetails the EXACT STUDY PLAN for the Praxis II test that we believe gives the most results in the least time- No matter if you're studying for a week or a month, you won't waste the precious study time you have on useless activitiesOur researchers are more than just academic theoreticians who understand the technical nature of standardized tests, but are also experts on test taking itself- they reveal the exact skills and the information you'll need to perform under pressure during the test.A systematic analysis and the best breakdown into "plain language" of how to deconstruct and master complex problems- You turn the problems that most of the test takers will stumble over to your advantageLearn why, when, and how to guess to your advantage. 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Learn why looking for the key "weasel words" in the question can help identify the correct answerWhy "new information" in the answer choices almost always means that the answer choice is wrong- and the way to avoid this trick planted by the clever test writersLearn to avoid this time-draining mistake on the test - why the technical terms you don't know can be a major stumbling block and waste precious time, and the way that you can work around themThe secret to using the contextual clues in the questions and the answer choices to make important distinctions between the right and the wrong answer choicesThe two situations where you should NOT check your answers thoroughlyHow to avoid careless mistakes by using the quick "double check" system. It will more than pay for itself relative to the time it will take youTest writers will often quote directly from the question in an answer- learn whether this is something you should trust or avoidWhy "extreme statements" in the answer choices are dead giveaways for wrong answers- find out how to detect the subtle differences between reasonable answers and the answers that are almost always wrongLearn how to group your answer choices into "families" that often narrows down the pool of correct answers- this is a quick way to immediately eliminate one or two of the answer choices and increase your odds of getting the question rightNow, you're probably wondering how and why we can do all the things we claim.Let us explain.Before we go any further, let us clarify what Praxis II Exam Secrets is not. It is not a stale rehash of all of the things you have already learned in the past.Praxis II Exam Secrets is our exclusive collection of the tips and the information that we have specially selected to give you the best results on the Praxis II test for the least time spent studying. It's written in everyday language and is easy to use.We cover the 5 essential skills necessary to do well on the Praxis II test, plus a comprehensive review covering your specific Praxis II test.Don't take our word for it. Listen to what our customers say about other Mometrix test preparation products.I purchased the Secrets file, and I just wanted to let you know that I got a 99% on my test. I just want to thank you again, and hope you have continued success in your ventures. Sincerely, Paul L.My name is Chris. I used the Secrets study guide for five days. The study guide made the test so easy to understand. Like you said this program is worth 100's of dollars. To me 1,000's!! THANKS, Chris G.I just had to thank you guys for the test prep! I bought the guide as a last minute prep, I mean maybe 5 hours before the test. Like I said, I had ZERO preparation! I was nervous about the test let alone receiving the score I needed. I read the guide through only once before test time and needless to say, the only way I passed was thanks to your refresher!! BrianJust dropping you a note to let you know that I am completely satisfied with the product. I had already taken the test once and landed in the 75 percentile of those taking it with me. I took the test a second time and used some of your tips and raised my score to the 97 percentile. Thanks for my much improved score. Denise W.I heard about your website from a friend. I am enrolled in a review course, and in hindsight, I wish I wouldn't have taken my review course and instead spent a fraction of the money on your program. Thank you! 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Product details

Series: Secrets (Mometrix)

Paperback: 176 pages

Publisher: Mometrix Media LLC; Stg edition (February 14, 2013)

Language: English

ISBN-10: 1627339167

ISBN-13: 978-1627339162

Product Dimensions:

8.3 x 0.4 x 10.9 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

45 customer reviews

Amazon Best Sellers Rank:

#643,825 in Books (See Top 100 in Books)

I purchased PRAXIS II Physical Education: Content and Design (5095) Exam SECRETS Study GuideRating 5This product is great. It condenses pertinent information in in an easy to understand and access throughout the guide. The answers with explanations to the practice tests is awesome!

The majority of information in this review book was very helpful. It was a great review of all the courses I took in college. I do question the reliability of books when there are frequent grammatical and spelling errors, however. Additionally, the copy I purchased says it's copyright is 2014 and I found one particular part not updated which was the name of the national organization for which Physical Education falls. It is no longer called AAHPERD, but SHAPE America, The Society for Health and Physical Educators.Putting those two things aside, I did find this study guide useful. The general test taking tips were great and it was helpful in determining which areas I really needed to study more.

I love this study guide because of the way it is organized by topics most likely to be covered on this test. I will be testing in March 2018 and feel confident that I will do well and pass on the first try.

I am taking an alternative route to get my teaching certification, so this has been really helping me. It is very easy to read and I love how it has a practice test and the answers at the end. I am excited to see how it helps me when I take the real test.

Great, informative guide which covers a wide range of material in different ways. Very pleased with the book!

It's a good guide. The content is organized and it has questions examples with explanation for the correct awnsers. I would give 5 stars if it didn't repeat so often and talk about pretty obvious content. Also, the contend is not update so I need to be careful with that. It's a good complement to study but it's so expensive.

Awesome book. Really helpful especially with note cards

Helped me pass my test.

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Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix)) PDF

Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix)) PDF

Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix)) PDF
Praxis II Physical Education: Content and Design (5095) Exam Secrets Study Guide: Praxis II Test Review for the Praxis II: Subject Assessments (Secrets (Mometrix)) PDF
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Posted in by Elvina Wulandari August 27, 2016 No comments

Friday, August 19, 2016

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Product details

File Size: 137970 KB

Print Length: 240 pages

Publisher: Abrams (July 11, 2017)

Publication Date: July 11, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07175NTFC

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Steven Universe: Art and Origins is not just an art book--it's also a collection of early material, a reveal of many initial concepts, and an amazing experience to sort through. In my review I'll give you a description of the structure and overview, while also collecting notable information for fans. Obviously just about everything is "notable" with a book of this magnitude, so this may get long, but I'll try to include anecdotes that have some unique insight or perspective on the main source material--with as little of "OMG this was the original idea for this!" as possible.The overview:After a foreword from Rebecca Sugar and an introduction from Genndy Tartakovsky, we get Part 1: Origins. This contains some narratives about Rebecca Sugar's early life as an artist--inspiration, family, college projects--all illustrated, of course, with childhood photos and early art. Rebecca mentions having wanted to bury her femininity for a while, but coming back to draw female forms and include dancing after she learned to sort through her issues using art.Her college education and connections with other artists are discussed--some in interview format, some in narrative--and there is some background regarding her time on Adventure Time. The story moves on to talking about developing the pilot and what went into her character and plot ideas. Character design is discussed in depth, with Rebecca giving initial sketches to a design team and developing the characters' initial pilot look. Some really slick promo art is shared--posters, sketches, great concepts that were designed to bring in new viewers and make them curious about the show. The pilot succeeded in getting the green light to develop it into a TV series.Part 2 discusses the show's Green Light and Development. Rebecca and some of the other crew, in interview format, talk about getting the team together and allowing for both nailed-down character essentials and flexibility for the writers to explore and collaborate. Developing the setting was also a big part of the to-do list; coming up with Beach City itself, its businesses, its residents, and also the creatures the Gems would fight. Some cute stories are shared about the early Crewniverse hanging out at a cabin and talking about the show all the time, hashing it out. There are some great, loose character model sheets for early versions of Greg, Connie, Sadie and Lars, and the four main characters.Part 3 is about Character Design. They discuss how the pilot got released and fans grew attached to what they initially looked like, only to be "outraged" by the changes, making tons of assumptions about who was controlling the process. Rebecca shares some thoughts on her development process and her philosophy on letting different artists draw the characters differently while gripping onto specifics she set. Main, palette, and distance models are discussed, with some technical details of what different artists do on the team and how they handle props or special poses. There are many sheets of how to draw the Gems on model (with pointers on what NOT to do), and then there are some Homeworld Gem ideas that didn't get used, and finally, some sketches and concept art for Lapis Lazuli, Peridot, Jasper, and Bismuth.Part 4 is on Writing and Storyboarding. More Crewniverse interviews provide insight into the process, including how much is revised from the early days and how collaborative everything is. Some specific episodes, like "Ocean Gem," "Monster Buddies," and "Island Adventure" are put into perspective with how they were written by the group. There's heavy discussion of how the process works and why processes that work on other shows wouldn't work here, and what "rules" are firm and what's just a suggestion, and what's changed as the show's plot became more complex and important. Steven still having access to the "side" stories, the ones that involve Beach City humans and non-world-shaking stakes, is still very important to the story that the original Crew wants to tell. Cute images from the Crew's thumbnail storyboards, Gem designing, and technology designing workshops are shared too.There's some good continued discussion of concepts in Part 4, especially about fusion and relationships and the larger message the show is sending. How do you tell a story and why? There are many answers to that, and sometimes it's about fun and sometimes it's about a message and sometimes it's about wanting to make an episode about something you've never seen a cartoon do before--something specific to you that other people can suddenly see represented. One of my favorite parts of it is when they discuss Steven discovering the Gems' weaknesses over time and having that NOT make him think less of them--more like he admires them for being strong enough to shoulder the burdens he didn't know they were carrying before. Storyboarder Lamar Abrams talks about the importance of growing up not just being about becoming bitter, and I really like that.Part 5 is on Sound and Vision. There's some history of how they found the voice actors for the major roles, and some of the actors give perspectives on their relationship and experience on the show. Aivi and Surasshu, as the composers, discuss their process as well, with some anecdotes and discussions of why musical palettes work better for characters instead of assigning them themes. Places and objects have their own sounds too.Part 6 covers Background Design and Painting. Steven Sugar takes the stage and explains general background thoughts as well as specifics for certain settings. His focus on detail is really fascinating to read about--it's really him who nails down the locations in Beach City and where an outlet is in a house on the wall. The directors and other Crewniverse folks discuss the use of color and background items in the show, and how they use it to create mood or feel changeable enough to be real.Part 7 discusses Animation and Post, with a spotlight on the work they do in Korea at animation studios Sunmin and Rough Draft. The process is described--how and when the material is transformed from animatics to animated cartoons. Nick DeMayo discusses timing and adding the sound effects and whatnot. There's also some design instruction that's provided to the animators in Korea. Some special highlighted drawings and pieces, like the "C.L.O.D.S." zine or some keys for Ruby and Sapphire, are included. Even the bumpers and end tag animations are discussed here. And of course they had to mention a couple very special episodes, such as when Takafumi Hori from Studio Trigger came in to do "Mindful Education," or when they did the musical episode, "Mr. Greg."And Part 8 is called "Onward." The intention of the section is unclear at first based on the title of the chapter, but you can quickly see they're discussing the forward-thinking message the show has--how its representation of its creators' experiences has also struck a chord with people who wanted and NEEDED its diversity. Lauren Zuke says a very wise thing when she states that she wants the show to provide "insight . . . not a solution." That's one thing this show does well; it spotlights problems and situations and feelings, but only shows you how those things can be dealt with, not necessarily how they SHOULD, in all cases, be dealt with.Representation matters, and seeing evidence that you are a part of this world when you're from a marginalized or underrepresented group is valuable in a way that you can only know if you DON'T have it. The show's writers also weigh in on good vs. evil and how it's too black and white; that we needed a show with nuance, and has a message of love and tolerance. Kat Morris acknowledges that there are more important things than making a feelsy and entertaining piece of media, but as she says, the point is to let people see themselves in something and be challenged. And the creators are able to see at conventions and online that people are responding emotionally, viscerally, to their work. It puts a lot of pressure on an artist to do it right, but in the words of Dogcopter, "Just be true to yourself and people will appreciate your honesty."The book closes with some photos of the Crew and a few more pages of art. And it kinda leaves you with a squishy feeling. :DNotable:1. I was relieved to see Rebecca state it plainly in the foreword: the items you see from the development phases of this show are not to be taken as canon or as "real" insights into how you should interpret it now. She specifically mentioned that she does not consider the Gems "girls" or "goddesses," and that was particularly important to me. Throughout, you're supposed to see the contributed bits and in-development pieces in the context of what they were: early drafts, embryonic. We all become different from what we were even though we grew from it and may have roots in it still, but that doesn't mean you can point at the seed and say its flower is meant to be understood surrounded by dirt.2. The original designs for the Gems fluctuated a lot, and in a couple cases even names flopped around. An early name for Garnet was "Onyx," and if you've seen the pilot, you know Pearl got her signature nose later and Garnet's hair took a while to become the splendid square afro. Amethyst seems to have changed the least. Themes were given to them initially (like Amethyst being "flora and fauna," which you can sort of see in her pilot intro with her lying on big cats). You can still see some of the original intentions in how the ideas manifested, but the first ideas do not gel particularly well with what the show became. This is particularly interesting because non-creatives commonly think creative people simply receive inspiration and birth their creations into the world wholesale. Inspiration exists, but it's much more common to take an inspired idea and REALLY WORK ON IT. This book's origins section does a great job showing how that works.3. Some early sketched-out ideas for episodes seem very far from what would fit into the show now (such as an idea for an episode where Pearl is obsessed with the pizza guy??), but one seems to be the roots of "Bubble Buddies," which implies that Steven's original crush was "Priyanka" instead of Connie. (That's now Connie's mother's name.)4. The pilot's title was "The Time Thing."5. Initial notes for Garnet say she should have the coolest shoes of the three, that she's commanding and outer-spacey and also weird, and that she's inspired by Grace Jones, boy Michael Jackson, and Estelle in "I Can Be a Freak." Initial notes for Amethyst insist on the "fanny pack" pouch and suggest her clothes are cut, her hair is in chunks, and she should have an animal theme with a wild texture. Initial notes for Pearl indicate a desire to have her opposite Amethyst in her formal way of dressing and needing to have an outfit that would allow her to be hung upside down, possibly with a pearl stone theme for baubles in her hair. (Rebecca indicated she needed the most help with Pearl.)6. Early versions of the show included the idea that the Gems might be trying to hide being Gems in public, and that they kept magic away from Steven for the most part instead of encouraging him to use it. A "lost" episode about Steven summoning his shield (later incorporated into the episode "Gem Glow") had him saving Greg with it and dreaming about his mother, and having Pearl drive a crappy old car (later incorporated into "Last One Out of Beach City"). Rebecca and Ian reveal that the dream Steven had in it was used a little in "Rose's Room," and that a song called "The Meatball Sub Song" was involved which could have contributed to the show getting picked up despite that we never got to hear it. (Imagine that, Steven singing about food!)7. There's a note in the early character design section that says "the girls can all turn into Steven" with an accompanying illustration of Garnet, Amethyst, and Pearl shapeshifted as him. Cute, because we actually got to see them do this in the episode "Keep Beach City Weird" with the exception of Pearl, though there's no reason she shouldn't be able to do it--she just doesn't.8. Rebecca Sugar shares an anecdote about thinking there was a "best" way to draw that was objectively correct (influenced by some art-school stuff), and through that she arrived at the idea that Pearl was a cone, Amethyst was a sphere, and Garnet was a cube, because all of those things say something about who they are (pointedness, fluidness, stability). She evolved from that idea to a more flexibile idea of how drawing works for different artists, but that was part of what helped her nail the characters down. Steven, eventually, was fixed to having a heart-shaped face.9. The Tiger Millionaire and Purple Puma flyer shown in the episode "Tiger Millionaire," presented as something Steven drew, was actually drawn by Lily DeMayo (daughter of Nick DeMayo, animation director) when she was seven.10. Guides are made for the Crew to use featuring reminders on drawing the characters. It's kind of adorable to see common drawing errors or misconceptions or inconsistent details discussed in a how-to format for the people who actually work there.11. A timeline exists for the show and it encompasses TWENTY THOUSAND YEARS of Gem and human history. It was too spoilery to be in the book, but there is a LOT of lore that is laid down, and this tool mentioned in Part 4 established that this document is referenced often to make events make sense in the timeline.12. It's been established before, but Amethyst's origin in Earth's Prime Kindergarten was not initially known as part of her character when she was invented, and that was discussed in Part 4 of this book--how the writing retreats the Crew takes to discuss the story sometimes result in huge revelations like this. "Oh, that makes sense, that's why we wrote her like that" is one of those things I recognize as a writer--you know a character has a certain vibe, but you don't know what explains it. You just trust that something does. And eventually, sometimes you find out what it is and it all makes sense. Interesting to know they did this with Amethyst.13. "Lars and Sadie make out even though they're not together" was the basic idea for making "Island Adventure." And the original idea for "Onion Friend" had a "Grandma Shallot" character. The writers sometimes play writing games to brainstorm, and those were shared. Some ideas for a story which was later used in "Future Boy Zoltron," covering Mr. Smiley's romance/comedy partnership with an old flame, were shared with more emphasis on the characters being lovers. Garnet's part in the story was more explicit too, with her giving people future predictions that are not at all nice or gently delivered, and they have to shut down the business in the wake of Garnet's badassery. Weird. Other ideas were used but not as they're presented, like one where Greg learns about fusion from the Gems (but witnessed the fusion of Pearl and Amethyst, not Pearl and Rose), and a complicated one where cross-Gem fusion is a new idea in a flashback and Rose wants Garnet to fuse with her to teach her about it but she's too unsure of her own fusion relationship as such to risk it. The idea was that Pearl would be jealous and Pearl, Rose, and Garnet would actually fuse in the episode. This has not been done in the show.14. Rebecca Sugar apparently just pops up with concepts she wants the writers to work in. Like "I want Steven to be in a mushroom forest" (which hasn't happened yet) or "I want Steven to have cats on his fingers" (which, obviously, happened early on). Rebecca gets little concepts that are sort of dreamlike, and they figure out which episode they can put them in. Working those things in sometimes seems like as much of a priority as getting plot elements in!15. I like that they dish a bit about the fan reaction to Garnet's Fusion status. They thought they were being a little too obvious to not get caught, but Ian said the fans figured it out and then got bored of the idea and decided it must be even more complicated than that. People were apparently worried that Garnet would be replaced by her component Gems in the story if she were to unfuse, but obviously since Ruby and Sapphire want to be together, that doesn't happen.16. Kat Morris's "rules" as discussed in Part 4 are "Garnet never asks questions" and "the story has to stay in Steven's perspective." I love how strict they are about Garnet not asking questions (except in the episode "The Answer," though there have been a couple ~technical~ questions from her; she usually just finds a way to ask a question with a statement, like "tell me what you saw").17. A great quote from Lauren Zuke on the incidentally queer content of the Gems' relationships and gender: "Personally, I'm happy to not have to think, 'I'm writing a character based on my queer experiences.' That would be so hard! I'm just writing from my perspective, and I happen to be queer. I think that's what makes the show feel natural when it comes to that. It's a fine line between defining something so that people are aware it exists, which is so important, but also letting it breathe, so it's not forever contained in a box labeled 'queer media.'"18. In Part 5, Michaela Dietz relates her experiences as an adoptee to relate to what Amethyst deals with as an "adoptee" into the Crystal Gem family without knowing where she really came from or what it means to be a part of that. She's said this before in some other interviews and panels, so it's not new in general, but it's probably new in print. Deedee Magno Hall, who plays Pearl, obviously relates to Pearl's maternal nature.19. Tom Scharpling and Charlyne Yi were voice actors that Rebecca specifically had in mind for her characters (Greg and Ruby respectively). Rebecca's illustrated letter to Charlyne explaining Ruby and Sapphire's relationship and Ruby's role on the show is really adorable.20. Music nerds like me will very much appreciate the photographed notes on music motifs--the Diamonds each have a solfège syllable and a chord (White is F#M7/Sol, Yellow is BM7/Fa, Blue is EM7/Fa, and Pink is AM7/Mi), and Steven's powers and modes are coded with instruments and styles.21. Some world maps provide new possible insights. Greenland in our world is Blueland in theirs. South America is called Pangea. Aqua Mexico is labeled about where Mexico is in our world. India is the Indian Islands. There's an Australia and a New Australia. A big sea in the middle of Asia is called the Tunguska Sea. Rose's Fountain is in Spain or Portugal; the Sky Spire and Strawberry Battlefield are in Norway; the Shooting Star Shrine is in the middle of the drastically different Asian continent; the Galaxy Warp is in the Tunguska Sea; the Lunar Sea Spire is off the coast of Canada; Mask Island is in the Atlantic near Beach City; the Comm Relay is in the Western United States.22. It was known from interviews that Shelby Rabara (voice of Peridot) is a dancer and provided the foot sounds and coaching to create the short tap number in the episode "Mr. Greg." But what's great is here, there's a visual reference included! Photos of Shelby doing the dance are lined up next to the drawings of Pearl and Steven in the "Mr. Greg" number doing the steps! She poses in dance moves with her husband for the Greg/Pearl dance for "Both of You" too.23. There's a really cute story in the last section about Amber Cragg ascending from fan to Crewniverse member through posting Pearl art in response to the pilot and eventually getting contacted to take a board test. That is the kind of thing so many online artists dream of!

It speaks directly to people that love the creative process. There is a great deal of content for people who want to know "how the magic is made", including the story, character designs, music, voice acting, background art, and more. If you are expecting a lot of full page illustrations (like an anime art book) you may be disappointed; there are a few such pages, but the book features far more content detailing the mindset and process of the creators.

Slight cosmetic damage (from shipping?) but otherwise perfect. I was a huge fan of Rebecca Sugar already, and this is great from that perspective (lots of art by RS, lots of stuff you may not have seen before), but this book also gave me a newfound appreciation for the rest of the crewniverse, and their contributions to the show. (for example, Lauren Zuke's art in the book is pretty nice, I might look and see if she has any independent work after writing this review.) I can absolutely recommend you buy this if you're a fan of the show, and/or a fan of Rebecca Sugar.I was especially blown away by the pilot sketches, from around page 30 or 32, to page 37, and by the chapter on the writing of the show, which was very enlightening, and easier to come back to and digest than RS' Writing With Rebecca @ Magfest talk.

+All pages are present, even the back cover-Pages aren't at highest resolution when viewed on KindleForPC after 200%. They either become blurry or pixelated-Loading time can lag, maybe because the file is so big-Text from the get-go can be eye-straining because of how the pages were photographed, which is pretty much the meat of the book+It's only a little less money than the hardcopy, but I don't want the book that badly so it's a good way to support the show and have a quick look at it now and then

This is a great insight into the development process and behind-the-scenes of one of the greatest shows on television. There is an unfortunate bit of racism that snuck in from one of the artist exercises but while it's a horrible thing to see and to have exist, I think it's overall beneficial because it shows a common, systemic problem and shines a light on how everyone can and should do better. (Also, the show creators are human after all!)I think the most important thing about this book is it shows that the show isn't a singular vision by a solo creator, but it's a team effort where everyone plays a part in making something amazing.

My book was full of spiders. The little miscreants must have been eager to disembark, because when I opened the book they poured out in what I can only compare to scene from a horror movie. Think the elevator from The Shining. All I could do was scream at the top of my lungs as they crawled over and past me to distribute themselves into every nook and cranny of my home.I suppose it might help deal with our mosquito problem in the summer, but it's only February.

I adore Rebecca and the Crewniverse so so much and this book is everything I hoped it would be. I'm just now getting through all the small notes surrounding these concept sketches and it's so much fun. If you love Steven Universe, buy this!

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Friday, August 5, 2016

Download Ebook , by R. A. Salvatore

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, by R. A. Salvatore


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, by R. A. Salvatore

Product details

File Size: 2100 KB

Print Length: 384 pages

Publisher: Wizards of the Coast (June 17, 2009)

Publication Date: June 23, 2009

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B002DO17Q2

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Amazon Best Sellers Rank:

#20,307 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

*Original review on Goodreads & My Blog*All of Drizzt books are probably going to be 5 stars, maybe a 4 star. Just sayin' ♥My babies ❤️EXCERPT"Come on," Regis offered. "Sit with Drizzt and me. No one will bother a tough old dwarf, but a tiny halfling and a skinny elf might look like good sporty the brutes in here. We need your size and strength to deter such unwanted attention."Wulfgar's chin firmed up at the compliment and he strode boldly toward the table. Regis shot Drizzt a knowing wink and turned to follow."Many lessons you will learn on this journey, young friend," Drizzt mumbled to Wulfgar, too softly for the barbarian to hear. "So far from your home."Bruenar came back from the bar bearing four flagons of mead and grumbling under his breath. "We're to get out business finished soon," he said to Drizzt," and get back on the road. The cost of a room in this orc-hole is open thievery!"*****"Guenhwyvar," he called softly. "Come, my shadow."His beckon reached out across the fabric of the planes, to the astral home of the entity of the panther. The great cat stirred from her sleep. Many months had passed since her master had called, and the cat was anxious to serve.Guenhwyvar leap out across the fabric of the planes, following a flicker of light that could only be the calling of the drow. Then the cat was in the alley with Drizzt, alert at once in the unfamiliar surroundings.END EXCERPTFantastic just as I knew it would be.But . . .I had a feeling someone would die 🙁The very ending though has given me some hope that not all is lost. I surely hope so!Happy Reading!Mel ❤️

I chose this rating, since it's the highest one you had available. Not kidding, Salvatore is one of the best. Rarely do you come across this level vividness and understanding of the world your being drawn into. Your given acute visions of the land, and its surroundings as clear to the reader as if you were there. As are the characters, they become as real as you or I. I could go on and on. But I'll leave that to you... R.A. Salvator truly is a gifted Storyteller. The legend of Drizzt, which consist of 23 volumes,all of which I highly recommend.

I came to these stories by first reading Homeland, so this is the fifth book that I have read of Drizzt. However, it definitely feels like a second book. I don't think that is a bad thing though. I like how there is a lot of character development especially in Cattie brie. That being said, there is not shortage of combat and excitement in this book either.The only thing that bugged me was the lack of talk of Drizzt's infrared vision abilities. This was talked about so heavily in the origin series, but it is not even touched upon in these books. My thought is that Mr. Salvatore came up with the IR vision later when he wrote the origin series to account for their vision in the constant darkness of the underdark.I think it is a great story and I thoroughly enjoyed each part. This is the first series of books that I have really used the Kindle/Audible Whispersync technology on and I really enjoyed being able to read more at home after my commute.

A well-deserved five star rating and if I can give a plus I would. What is amazing when it comes down to this third person omnipresent point of view story is just how well the author makes you feel for the characters, even the antagonist. There are some points in which the author will leave you holding your breath waiting to see what happens, even though I've read the book before I still had moments like this.Without spoiling anything, eat your heart out and Gimli.

High fantasy with cinematic action, and gut wrenching twists. The heroes face their most powerful nemesis without the help of Drizzt.Mithrall Hall is painted as the epitome of ancient dungeons filled with marvelous treasures and even greater threats.

Book 1 of the Legend of Drizzt series, Homeland, was a hard read at first with the long complicate names but once I got past that I really liked it and decided to keep reading. I've now read 25+ books from RA Salvatore and would recommend all Legend of Drizzt, Hunters Blade, Transitions, and Neverwinter books as great fantasy reads. Salvatore has such great character development and interesting new adventures that make you want to keep reading. There is a fair amount of fighting, if you're not into that I'd still recommend these books, just read through those parts fast.

Ah but you're a genius at yet craft Salvatore. Let us pray there is one more survivor at the bottom of the gorge. Tis entirely to soon for me King to have left his rightful halls.

This is not my first time reading the Drizzt series but the adventures of the drow elf and his companions has enraptured me since I was a young man. I have read this series many times over my 2 1/2 decades of life and I never tire of the story itself. It is so masterfully written that I can actually see this book playing out in my head as if on a television screen and I get so caught up in the battles that to this day I still cheer out loud when Artemis is foiled again or one of the gang puts down a ferocious monster... If I had to recommend any series in my life it would be this one as not only is it a great story it is also a very creative way of teaching Honor, Integrity, Strength and the belief that anything is possible if you have the heart to go for it.

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Free Ebook National Construction Estimator 2019

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National Construction Estimator 2019

National Construction Estimator 2019


National Construction Estimator 2019


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National Construction Estimator 2019

Product details

Paperback: 666 pages

Publisher: Craftsman Book Co; 67 edition (November 30, 2018)

Language: English

ISBN-10: 1572183438

ISBN-13: 978-1572183438

Product Dimensions:

8.5 x 1.2 x 11 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#94,190 in Books (See Top 100 in Books)

A+++

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